I'll be right here. With the book. And the wine.
I'm taking a little blogcation. I'll be back in early January, with a special edition of Weekend Rewind. Start thinking now about your Best Blog Post of 2010 to link up on January 8th. It's going to be a cracker.
I plan to call it 2010 in Rewind. Catchy, no?
In the meantime, enjoy your festive break, wherever you are, whatever you do.
Look forward to seeing you back at the Fibro in 2011.
{image: built, painted, styled and photographed by The Builder}
Thursday, December 23, 2010
Wednesday, December 22, 2010
O Christmas Tree
We have a Christmas tree in the Fibro. Your basic pine tree, of the species Plasticus Fantasticus. It lies dormant in a box under the bed, awaiting it's annual chance to (literally) shine.
This year, we also have a Christmas tree outside the Fibro. More a bush, really. A dead bush to be precise. It used to be a magnificent Portwine Magnolia shrub. Then the July rains came and it drowned, dropping branches and leaves from the base up in a desperate attempt at life.
Despite our best efforts, it could not be resuscitated. But neither have we worked out what to do with it, or the space it would leave behind if we remove it. So it remains. Twiggy. Lifeless. Starkly beautiful in its own special way, as the spiders weave their magic and decorate the sticks with webs, which glisten in the sunlight and in the rain. Leaves are redundant, really.
These days, however, it stands a little taller, decked out in holiday finery of baubles and glass balls. It is surprising how much pleasure I get out of looking at it. The boys whizz past it on their scooters, barely allowing it a glance. I can see it from my study window, watching the different play of light on the sparkly baubles as the sun progresses overhead.
I wonder if it will still be there next year. Perhaps it will spontaneously burst back into life, new growth speckling its bare limbs. Now that would be a Christmas miracle.
Do you have a real tree or a plastic specimen? Any baubles bedecking your backyard? Or perhaps you prefer a light display?
This year, we also have a Christmas tree outside the Fibro. More a bush, really. A dead bush to be precise. It used to be a magnificent Portwine Magnolia shrub. Then the July rains came and it drowned, dropping branches and leaves from the base up in a desperate attempt at life.
Despite our best efforts, it could not be resuscitated. But neither have we worked out what to do with it, or the space it would leave behind if we remove it. So it remains. Twiggy. Lifeless. Starkly beautiful in its own special way, as the spiders weave their magic and decorate the sticks with webs, which glisten in the sunlight and in the rain. Leaves are redundant, really.
These days, however, it stands a little taller, decked out in holiday finery of baubles and glass balls. It is surprising how much pleasure I get out of looking at it. The boys whizz past it on their scooters, barely allowing it a glance. I can see it from my study window, watching the different play of light on the sparkly baubles as the sun progresses overhead.
I wonder if it will still be there next year. Perhaps it will spontaneously burst back into life, new growth speckling its bare limbs. Now that would be a Christmas miracle.
Do you have a real tree or a plastic specimen? Any baubles bedecking your backyard? Or perhaps you prefer a light display?
Tuesday, December 21, 2010
Waiting for the Man
The boys and I are finding a new rhythm. School holiday rhythm. Slow mornings building to fever pitch in the afternoons. And underneath it all, an undercurrent of excitement. Christmas is coming.
For me, it's about To Do lists. For Mr3 it's about logistics. Where will Santa park his reindeer (there's no point in being on the roof when the Fibro has no chimney)? How does he fit the world's presents on his sleigh? Can we wait up to see him?
"We don't have to," says Mr6, matter of fact. "Daddy will meet him at the door so he can hand over the presents." Mr6 has always been very keen that a strange old man in a red suit should not be entering the house under cover of darkness. The presents, yes. The man, no.
"Well, I can wait with him," says Mr3, who's desperate to lay eyes on said man.
"I don't think he'll come if you're there," I say.
He thinks.
"I can hide behind Dad. He won't even know I'm there."
He's a wily one, that Mr3. I envisage a long battle on Christmas Eve to get him to close his eyes. And even then, it wouldn't surprise me to find him peeking through the blinds well after midnight. Watching. Waiting. Hoping.
Don't you wish Christmas held that much excitement for you again?
[image: miniatures.about.com]
Just as an aside, don't you think rhythm is a weird word? One that I need to check for spelling every single time I write it. Kind of like weird. Which words are weird for you?
For me, it's about To Do lists. For Mr3 it's about logistics. Where will Santa park his reindeer (there's no point in being on the roof when the Fibro has no chimney)? How does he fit the world's presents on his sleigh? Can we wait up to see him?
"We don't have to," says Mr6, matter of fact. "Daddy will meet him at the door so he can hand over the presents." Mr6 has always been very keen that a strange old man in a red suit should not be entering the house under cover of darkness. The presents, yes. The man, no.
"Well, I can wait with him," says Mr3, who's desperate to lay eyes on said man.
"I don't think he'll come if you're there," I say.
He thinks.
"I can hide behind Dad. He won't even know I'm there."
He's a wily one, that Mr3. I envisage a long battle on Christmas Eve to get him to close his eyes. And even then, it wouldn't surprise me to find him peeking through the blinds well after midnight. Watching. Waiting. Hoping.
Don't you wish Christmas held that much excitement for you again?
[image: miniatures.about.com]
Just as an aside, don't you think rhythm is a weird word? One that I need to check for spelling every single time I write it. Kind of like weird. Which words are weird for you?
Monday, December 20, 2010
Why I'm not getting an iPhone for Christmas
For one brief moment in early December, I considered asking Santa for an iPhone. I floated the idea past The Builder, who recoiled in horror. "We'd never see you," he spluttered, in reference to his many veiled hints over the past year that I may have been spending a wee bit too much time 'checking my email' as he calls it.
I thought about that. And decided he was right.
Since I began this blog in January I have spent more time wed to my computer than ever before. The first six months were the worst. I was, literally, obsessed. Writing, reading, commenting, tweeting, Facebooking... and then starting all over again. I have read hundreds and hundreds of blogs, and thousands and thousands of posts. I have tweeted - one moment, let me check - ah yes, 8231 times. That's right. I've told people what I had for lunch (which is the perception of Twitter for those who don't Tweet) more than 8000 times.
And all this whilst working off a desktop computer. Not even a laptop.
Imagine how ridiculous my statistics would be if I had 24 hour, in my pocket, access to the internet. Instead of watching Mr6 practice his Ninja moves, I could have commented on blogs. Rather than helping Mr3 round the gymnastics obstacle course, I could have Tweeted. Instead of taking a book to children's birthday parties, I could have... yes, well. You get the point.
While my obsession with the joys of blogging has returned to a much more manageable level as my first Blogoversary approaches, it is true that I'm easily distracted. And so I must concur with my husband's recoil, and stick with my seven-year-old hot pink Nokia something-or-other. It doesn't tweet or message or have any form of access. It doesn't even have a camera. Yep, we are talking seriously old skool here. Practically trendy again.
Sometimes it's best to stick with what you know you can handle.
Do you have an iPhone? Does it rule your life?
{image: simonblog.com}
I thought about that. And decided he was right.
Since I began this blog in January I have spent more time wed to my computer than ever before. The first six months were the worst. I was, literally, obsessed. Writing, reading, commenting, tweeting, Facebooking... and then starting all over again. I have read hundreds and hundreds of blogs, and thousands and thousands of posts. I have tweeted - one moment, let me check - ah yes, 8231 times. That's right. I've told people what I had for lunch (which is the perception of Twitter for those who don't Tweet) more than 8000 times.
And all this whilst working off a desktop computer. Not even a laptop.
Imagine how ridiculous my statistics would be if I had 24 hour, in my pocket, access to the internet. Instead of watching Mr6 practice his Ninja moves, I could have commented on blogs. Rather than helping Mr3 round the gymnastics obstacle course, I could have Tweeted. Instead of taking a book to children's birthday parties, I could have... yes, well. You get the point.
While my obsession with the joys of blogging has returned to a much more manageable level as my first Blogoversary approaches, it is true that I'm easily distracted. And so I must concur with my husband's recoil, and stick with my seven-year-old hot pink Nokia something-or-other. It doesn't tweet or message or have any form of access. It doesn't even have a camera. Yep, we are talking seriously old skool here. Practically trendy again.
Sometimes it's best to stick with what you know you can handle.
Do you have an iPhone? Does it rule your life?
{image: simonblog.com}
Sunday, December 19, 2010
Our secret garden
Fibrotown has a secret garden (not the one pictured, but I just couldn't resist that image, from The Real Flower Girl). A magical place of trees and fairy lights and music. You can get good coffee in the daytime while the kids run amok. In the evening, you can bring your own vino and enjoy live performances while the kids run amok.
Last night, we introduced Misters 6 and 3 to the delights of the Blues while we chatted with friends and sipped our wine under the trees and the stars. Mr3 gave all and sundry a display of his stellar dance moves (keeping the hip minimalism to a minimum). Mr6 attempted to analyse the chords being played by the singer/guitarist. "Do you think that was an A, Mum?" Hmmm. Possibly. Then again, possibly not.
It's wonderful to have a place where entire families can enjoy real music. Space for the kids to get into the groove. Space for the parents to sit back and relax. No pressure. No hokey pokey. No Hot Potato.
Every town should have a secret garden.
Does your town have a secret garden? Or even a non-secret place where families can enjoy a night out? Tell me all!
Last night, we introduced Misters 6 and 3 to the delights of the Blues while we chatted with friends and sipped our wine under the trees and the stars. Mr3 gave all and sundry a display of his stellar dance moves (keeping the hip minimalism to a minimum). Mr6 attempted to analyse the chords being played by the singer/guitarist. "Do you think that was an A, Mum?" Hmmm. Possibly. Then again, possibly not.
It's wonderful to have a place where entire families can enjoy real music. Space for the kids to get into the groove. Space for the parents to sit back and relax. No pressure. No hokey pokey. No Hot Potato.
Every town should have a secret garden.
Does your town have a secret garden? Or even a non-secret place where families can enjoy a night out? Tell me all!
Friday, December 17, 2010
Weekend Rewind
Well, the weekend is here again. Time to relax, unwind - and Rewind. I'm feeling quite unwound already, so I'll keep it short and sweet. The idea is that you dust off one of the fabulous posts languishing in your archives and bring it out to shine once more The resulting mixed tape of classics is a true treat!
All you have to do to join in is to become a friend of Fibro, link up a lovely old post and then lavish some comment love on some of the other linkyers. Couldn't be easier. Which is what we need for a weekend, right?
Don't forget to visit The King and Eye on Sunday, where you can also air your archives for some cross-hemisphere love - and pop in to visit MaxabellaLoves. You'll be grateful that you did.
Right, everyone sitting comfortably? Ready, set, Linky!
All you have to do to join in is to become a friend of Fibro, link up a lovely old post and then lavish some comment love on some of the other linkyers. Couldn't be easier. Which is what we need for a weekend, right?
Don't forget to visit The King and Eye on Sunday, where you can also air your archives for some cross-hemisphere love - and pop in to visit MaxabellaLoves. You'll be grateful that you did.
Right, everyone sitting comfortably? Ready, set, Linky!
Thursday, December 16, 2010
The Perfect Gift
Christmas is the season of giving - but it's also the season of Giving Fatigue. The streets of Fibrotown are awash with perky people in cute outfits collecting for various charities. If they're not tackling you in the supermarket, they're knocking on the door of the Fibro. I get that they're trying to tap into all the goodwill that's washing around the place, but I can't help but feel that the goodwill grows thin as December motors on. Stressed-out mum + smiley charity worker = not a match made in Heaven.
Even in the darkest moments of Giving Fatigue, however, there are some requests that make an impression. Perhaps it's the politeness of the wording. Or maybe it just strikes a deep, family chord.
When the Australian Red Cross Blood Service got in touch to let me know about their Christmas campaign, the resonance was there. Five years ago, Opa, The Builder's father, lost his battle with cancer and went to what the boys refer to as Opa's Special Garden in the sky. It is there that he rumbles about with a wheelbarrow, creating the thunder, alongside the angels.
Amongst the mementos of his long and interesting life is a framed certificate. Plain white paper, beautiful copper-plate script. A red cross at the top. It is the certificate he was given for donating blood 100 times. A name, a date, plain words outlining his achievement. But it's poetic. It says a lot about honour, community and general caring. It says a lot about the man.
I love that certificate. I love what it says about Opa.
Giving blood is giving the gift of life. It's also giving a legacy. That's pretty much the perfect gift.
Details of the Australian Red Cross Blood Service's Perfect Gift campaign are here.
Even in the darkest moments of Giving Fatigue, however, there are some requests that make an impression. Perhaps it's the politeness of the wording. Or maybe it just strikes a deep, family chord.
When the Australian Red Cross Blood Service got in touch to let me know about their Christmas campaign, the resonance was there. Five years ago, Opa, The Builder's father, lost his battle with cancer and went to what the boys refer to as Opa's Special Garden in the sky. It is there that he rumbles about with a wheelbarrow, creating the thunder, alongside the angels.
Amongst the mementos of his long and interesting life is a framed certificate. Plain white paper, beautiful copper-plate script. A red cross at the top. It is the certificate he was given for donating blood 100 times. A name, a date, plain words outlining his achievement. But it's poetic. It says a lot about honour, community and general caring. It says a lot about the man.
I love that certificate. I love what it says about Opa.
Giving blood is giving the gift of life. It's also giving a legacy. That's pretty much the perfect gift.
Details of the Australian Red Cross Blood Service's Perfect Gift campaign are here.
Wednesday, December 15, 2010
It's a good life
Sometimes, a picture says a thousand words. Even for me.
These are my tomatoes. My tomatoes.
After a shaky start, my Jack and the Tomato Stalk plants are bearing fruit. Lots and lots of red, ripe, juicy fruit. Ambrosia.
I am in awe.
And delighted.
I love gardening. It makes me smile.*
Are you a gardener? How does your garden grow?
*Feel free to remind me of this post next time I'm complaining about the weeds.
These are my tomatoes. My tomatoes.
After a shaky start, my Jack and the Tomato Stalk plants are bearing fruit. Lots and lots of red, ripe, juicy fruit. Ambrosia.
I am in awe.
And delighted.
I love gardening. It makes me smile.*
Are you a gardener? How does your garden grow?
*Feel free to remind me of this post next time I'm complaining about the weeds.
Tuesday, December 14, 2010
Tara Moss is in the Fibro
The first time I interviewed Tara Moss, I wanted to hate her. It was way back in the days when her first novel, Fetish, was on the stands. She was the model who'd started writing. Tall, blonde, gorgeous. With a book. Your basic nightmare.
We met at a cafe in Bondi, she all Bambi limbs and giraffe eye-lashes. Me, hiding behind my stenographer's notepad, wishing myself elsewhere. But she confounded my expectations. First up, she was just really nice. Professional nice, but also personal nice (yes, Virginia, there is a difference). Down to earth, obsessed with blood and gore, and Smart. Really smart. A quote from my ensuing story is on her website:
"Forget all the cliches about international models... Tara Moss has literally rewritten them."
Since Fetish (which was shortlisted for the Ned Kelly Award for Best First Crime Novel), there have been four other books in Tara's phenomenally successful series about Makedde Vanderwall, a tall, blonde, gorgeous model who solves crimes. Add to that, this year, a new character in a new series as The Blood Countess introduces Pandora English.
And now, though seven months pregnant with her first child, Tara has graciously agreed to spend some time in the Fibro for my monthly writer's Q&A. Bless!
Does crime writing require a particular set of writing skills?
Tara Moss: "There is a lot of focus of concise plotting in suspense writing, but I think all good novel writing requires a disciplined plot and much, much more. I begin with character. For me, plot is extremely important, but still secondary to character development and motivation.
"I also value research quite highly. My crime novels take me to dark places and my research can be intense and, at times, disturbing. I believe that authenticity is important in all writing, and hands-on forensic and investigative research is a must for me. Not all writers are interested in hands-on research, of course - like getting their PI credentials or being choked unconscious for a scene - but I do find that my favourite crime writers have a similar dedication to research and experience. I believe it shows in the writing."
Was it the popularity of vampires that led you to The Blood Countess? Do you see vampires staying with us for a while?
TM: "The Blood Countess is the first in a series of novels where the real world and the spirit world or supernatural connect - a paranormal series, if you will, but not really a series about vampires. The title refers to the real life figure of Elizabeth Bathory, a noblewoman from the 1600s. The next novel in the series, The Spider Goddess, comes out next year and draws on Greek mythology. In the world of Pandora English, my new heroine, there are mediums, psychical scientists, vampires, ghosts and mythological monsters of all kinds. And even a touch of satire on precisely the current fads you're talking about...
"I think that somewhere in the human subconscious we crave stories that explore the dark side of the psyche - stories about vampires and villains, monsters and cold-blooded killers. We need to explore our most primal fears in our storytelling. It's what compels me to write about crime, mystery and things that go bump in the night."
You've said you take your research seriously. Does that get easier once you've established a character and a series? How did it feel to start all over again with Pandora?
TM: "It was wonderfully liberating to create new characters and an alternate New York for this series. My novels for the past 12 years have centred on Mak Vanderwall and I felt it was time to branch out and literally create a new world in my writing. I will continue to write crime and to write Mak, but also this new series. Creatively, I think variety and fresh challenge is very important. Research for this new series is totally different, but challenging and fascinating for me."
Writers are constantly told they must blog/tweet/get themselves out there... How do you balance the writing time with all the other things that make up a modern writer's life?
TM: "Novel writing takes priority, along with my TV commitments on CI Network and 13th Street, some of which involves delving into the criminal mind, reading books and interviewing fabulous authors - it's a tough life! I don't spend a lot of time blogging or tweeting, but it's something I enjoy in my downtime. I find that Twitter and Facebook are wonderful mediums to communicate directly with readers and fans. It doesn't take long, and the contact is rewarding."
How different do you think your writing life will be with the new baby?
TM: "Writing is my fulltime job and I will continue working to support my family. It's a bit early to predict how motherhood will change my writing, if it does at all - don't expect new stories about kittens and cupcakes! It might just be time for that spooky children's book I've been dreaming up for years..."
Do you love reading crime fiction? Ever tried writing it?
We met at a cafe in Bondi, she all Bambi limbs and giraffe eye-lashes. Me, hiding behind my stenographer's notepad, wishing myself elsewhere. But she confounded my expectations. First up, she was just really nice. Professional nice, but also personal nice (yes, Virginia, there is a difference). Down to earth, obsessed with blood and gore, and Smart. Really smart. A quote from my ensuing story is on her website:
"Forget all the cliches about international models... Tara Moss has literally rewritten them."
Since Fetish (which was shortlisted for the Ned Kelly Award for Best First Crime Novel), there have been four other books in Tara's phenomenally successful series about Makedde Vanderwall, a tall, blonde, gorgeous model who solves crimes. Add to that, this year, a new character in a new series as The Blood Countess introduces Pandora English.
And now, though seven months pregnant with her first child, Tara has graciously agreed to spend some time in the Fibro for my monthly writer's Q&A. Bless!
Does crime writing require a particular set of writing skills?
Tara Moss: "There is a lot of focus of concise plotting in suspense writing, but I think all good novel writing requires a disciplined plot and much, much more. I begin with character. For me, plot is extremely important, but still secondary to character development and motivation.
"I also value research quite highly. My crime novels take me to dark places and my research can be intense and, at times, disturbing. I believe that authenticity is important in all writing, and hands-on forensic and investigative research is a must for me. Not all writers are interested in hands-on research, of course - like getting their PI credentials or being choked unconscious for a scene - but I do find that my favourite crime writers have a similar dedication to research and experience. I believe it shows in the writing."
Was it the popularity of vampires that led you to The Blood Countess? Do you see vampires staying with us for a while?
TM: "The Blood Countess is the first in a series of novels where the real world and the spirit world or supernatural connect - a paranormal series, if you will, but not really a series about vampires. The title refers to the real life figure of Elizabeth Bathory, a noblewoman from the 1600s. The next novel in the series, The Spider Goddess, comes out next year and draws on Greek mythology. In the world of Pandora English, my new heroine, there are mediums, psychical scientists, vampires, ghosts and mythological monsters of all kinds. And even a touch of satire on precisely the current fads you're talking about...
"I think that somewhere in the human subconscious we crave stories that explore the dark side of the psyche - stories about vampires and villains, monsters and cold-blooded killers. We need to explore our most primal fears in our storytelling. It's what compels me to write about crime, mystery and things that go bump in the night."
You've said you take your research seriously. Does that get easier once you've established a character and a series? How did it feel to start all over again with Pandora?
TM: "It was wonderfully liberating to create new characters and an alternate New York for this series. My novels for the past 12 years have centred on Mak Vanderwall and I felt it was time to branch out and literally create a new world in my writing. I will continue to write crime and to write Mak, but also this new series. Creatively, I think variety and fresh challenge is very important. Research for this new series is totally different, but challenging and fascinating for me."
Writers are constantly told they must blog/tweet/get themselves out there... How do you balance the writing time with all the other things that make up a modern writer's life?
TM: "Novel writing takes priority, along with my TV commitments on CI Network and 13th Street, some of which involves delving into the criminal mind, reading books and interviewing fabulous authors - it's a tough life! I don't spend a lot of time blogging or tweeting, but it's something I enjoy in my downtime. I find that Twitter and Facebook are wonderful mediums to communicate directly with readers and fans. It doesn't take long, and the contact is rewarding."
How different do you think your writing life will be with the new baby?
TM: "Writing is my fulltime job and I will continue working to support my family. It's a bit early to predict how motherhood will change my writing, if it does at all - don't expect new stories about kittens and cupcakes! It might just be time for that spooky children's book I've been dreaming up for years..."
Do you love reading crime fiction? Ever tried writing it?
Monday, December 13, 2010
Fibrotown Fable #4: A tale of two queues
If there's one thing you can count on at Christmas time, it's a queue. Some of them are the good, old-fashioned kind. Some, not so much. I was first introduced to the good, old-fashioned queue when I lived in England for a few years in the 1990s. I arrived in middle England (like Middle Earth, only colder) and got myself a temp job as 'Shirley Switchboard' for a local direct debit company - think the people who run the EFTPOS technology. The first morning, wrapped in my brand new coat, I headed off to the bus stop, to be confronted by a neat line of people arranged across the footpath, nobody speaking.
Unused to this, given that Sydney bus stops tend to resemble flocks of seagulls ready to pounce on the first unsuspecting chip (or bus) that approaches, I loitered around a nearby fence, observing. When the bus arrived, everybody neatly filed on. Woe betide anyone who attempted a sidling sideways entry through the bus doors.I They were given short shrift.
It was a good lesson in queuing. And it comes in handy at this time of year. Today, I stood in two Fibrotown queues. The first, in a well-known 'variety' store, was a hot, frustrating exercise in fraying tempers. Bright lights, cheesy carols, people with at least eight items in the '5 items or less' line. There was a lot of muttering. Some huffing. General shifting from foot to foot. And that was just me.
The second, in the local post office, was quite a different story. I arrived with my arms laden with parcels, head swivelling from side to side, checking out the array of 'last-minute gift items' in the strategically placed dump bins, doing the kind of 'do I need it?' mental calculations designed to drive a last-minute shopper mad. The queue was long, snaking and winding its way through the shelves of Christmas cards and packing tape, like a serpent. Or a boa constrictor, ready to suffocate the unwary.
I took my place and began a little huffing, with, possibly, some muttering and shifting thrown in. The lady in front of me turned and smiled. Cropped grey hair, bright blue eyes, impeccably dressed. She was a chatter, I could tell.
I tried a perfunctory half-smile in return, hoping to avoid discussion of the weather, but she was having none of it. Before I knew it, she'd drawn me into conversation. We quickly covered off the horrors of the season, how many children/grandchildren we each had (she had many more of the latter than I do), the cost of postage, blah, blah, blah. The queue wound slowly forward.
"We're lucky," she said. "We're going to my daughter's for Christmas. If it had been last week, we wouldn't have got there."
Her daughter lives in Young, NSW. They grow cherries. Grew cherries. Before the flood came.
"We only moved out here a few years ago," she confided. "Before we moved, we'd had four years of drought. Not a drop of rain. Now this. Christmas won't be that merry, but at least we'll be together."
It was a sobering moment. Nightly we've been watching the news as town after town went underwater. "How terrible," we say to each other. "Those poor people." Our next thought? Food's going to get more expensive.
She watches it and thinks of her daughter and her former neighbours. People. Farmers who've been doing it tough for years, and are now doing it even tougher.
"Who'd be a farmer?" my friend from the queue remarked as she finally hit the top and headed off to a counter. "Have a Merry Christmas."
"You too," I said, fervently. "Oh, you too."
{image: via timhunkin.com}
PS: In my new guise as Fibro The Snowman I'm guest posting today with Lori at RRSAHM. You totally need to see it. If only to see how I look with a carrot nose. For real.
Unused to this, given that Sydney bus stops tend to resemble flocks of seagulls ready to pounce on the first unsuspecting chip (or bus) that approaches, I loitered around a nearby fence, observing. When the bus arrived, everybody neatly filed on. Woe betide anyone who attempted a sidling sideways entry through the bus doors.
It was a good lesson in queuing. And it comes in handy at this time of year. Today, I stood in two Fibrotown queues. The first, in a well-known 'variety' store, was a hot, frustrating exercise in fraying tempers. Bright lights, cheesy carols, people with at least eight items in the '5 items or less' line. There was a lot of muttering. Some huffing. General shifting from foot to foot. And that was just me.
The second, in the local post office, was quite a different story. I arrived with my arms laden with parcels, head swivelling from side to side, checking out the array of 'last-minute gift items' in the strategically placed dump bins, doing the kind of 'do I need it?' mental calculations designed to drive a last-minute shopper mad. The queue was long, snaking and winding its way through the shelves of Christmas cards and packing tape, like a serpent. Or a boa constrictor, ready to suffocate the unwary.
I took my place and began a little huffing, with, possibly, some muttering and shifting thrown in. The lady in front of me turned and smiled. Cropped grey hair, bright blue eyes, impeccably dressed. She was a chatter, I could tell.
I tried a perfunctory half-smile in return, hoping to avoid discussion of the weather, but she was having none of it. Before I knew it, she'd drawn me into conversation. We quickly covered off the horrors of the season, how many children/grandchildren we each had (she had many more of the latter than I do), the cost of postage, blah, blah, blah. The queue wound slowly forward.
"We're lucky," she said. "We're going to my daughter's for Christmas. If it had been last week, we wouldn't have got there."
Her daughter lives in Young, NSW. They grow cherries. Grew cherries. Before the flood came.
"We only moved out here a few years ago," she confided. "Before we moved, we'd had four years of drought. Not a drop of rain. Now this. Christmas won't be that merry, but at least we'll be together."
It was a sobering moment. Nightly we've been watching the news as town after town went underwater. "How terrible," we say to each other. "Those poor people." Our next thought? Food's going to get more expensive.
She watches it and thinks of her daughter and her former neighbours. People. Farmers who've been doing it tough for years, and are now doing it even tougher.
"Who'd be a farmer?" my friend from the queue remarked as she finally hit the top and headed off to a counter. "Have a Merry Christmas."
"You too," I said, fervently. "Oh, you too."
{image: via timhunkin.com}
PS: In my new guise as Fibro The Snowman I'm guest posting today with Lori at RRSAHM. You totally need to see it. If only to see how I look with a carrot nose. For real.
Sunday, December 12, 2010
Escaping our Escape to the Country
Given my previously confessed television tastes, it will surprise no-one to learn that I am currently obsessed with a lifestyle program about people buying houses in the country. There are no Trawlermen involved. No Monster Moves. No Smithy from The Bill (RIP). Not even Kevin from Grand Designs. But there are houses, British people and loaded discussions about the size of various kitchens and the importance of an Aga.
The premise, if you've not yet discovered it on Channel 7 Two, is that a family (taking in everything from couples with cats to couples with enormous numbers of children (plus Grandma) to Dads with grown daughters to candidates for Mother & Son) wants to move from a larger town (everything from London to a large village of 10,000 people) to The Country. In the version currently aired here, presenter Catherine Gee enters the fray to find said family four houses which might be suitable to their needs. Technically, said family is then supposed to fall in love with one of said houses and make an offer. Only they never do.
Catherine is unfailingly cheerful in her quest to fulfill the desires of 'My Family', as she calls them. Only once have I seen her calm demeanour slip. And it took an over-bleached blonde with an unflattering tan to do it. Something about putting mirrored tiles all over the dining room of a 17th Century cottage and inserting a full bar didn't agree with Catherine. But even then, only a faint mew of disgust and subtle roll of the eyes gave her away. And only to those of us who knew her well.
Each week, The Builder and I watch the endless parade of properties - invariably called Rose Cottage - and mentally rearrange the furniture, pulling out walls, and replanting gardens. We've discovered we're not 'Beamy' people. Beams usually mean low ceilings and that's not for us. And we're partial to an 'outbuilding', big windows and a 'downstairs cloakroom'.
Seriously, it's like a 10pm Friday night SBS movie for Real E-Stalkers like us. House porn. We're wed to the Fibro, but that doesn't stop us looking. Even at totally unsuitable properties from 2007 on the other side of the world. In fact, that's probably better than looking at totally unsuitable properties available locally - and now.
Why, just months ago I nearly fell for a one-bedroom renovated church. Fortunately, sanity intervened. Well, that and the fact that it wasn't named Rose Cottage.
{image: yoursigns.blogspot.com}
The premise, if you've not yet discovered it on Channel 7 Two, is that a family (taking in everything from couples with cats to couples with enormous numbers of children (plus Grandma) to Dads with grown daughters to candidates for Mother & Son) wants to move from a larger town (everything from London to a large village of 10,000 people) to The Country. In the version currently aired here, presenter Catherine Gee enters the fray to find said family four houses which might be suitable to their needs. Technically, said family is then supposed to fall in love with one of said houses and make an offer. Only they never do.
Catherine is unfailingly cheerful in her quest to fulfill the desires of 'My Family', as she calls them. Only once have I seen her calm demeanour slip. And it took an over-bleached blonde with an unflattering tan to do it. Something about putting mirrored tiles all over the dining room of a 17th Century cottage and inserting a full bar didn't agree with Catherine. But even then, only a faint mew of disgust and subtle roll of the eyes gave her away. And only to those of us who knew her well.
Each week, The Builder and I watch the endless parade of properties - invariably called Rose Cottage - and mentally rearrange the furniture, pulling out walls, and replanting gardens. We've discovered we're not 'Beamy' people. Beams usually mean low ceilings and that's not for us. And we're partial to an 'outbuilding', big windows and a 'downstairs cloakroom'.
Seriously, it's like a 10pm Friday night SBS movie for Real E-Stalkers like us. House porn. We're wed to the Fibro, but that doesn't stop us looking. Even at totally unsuitable properties from 2007 on the other side of the world. In fact, that's probably better than looking at totally unsuitable properties available locally - and now.
Why, just months ago I nearly fell for a one-bedroom renovated church. Fortunately, sanity intervened. Well, that and the fact that it wasn't named Rose Cottage.
{image: yoursigns.blogspot.com}
Friday, December 10, 2010
Weekend Rewind
Can you believe it's the weekend already? This time of year, the weeks roll around so fast. Which is fantastic when you're waiting eagerly for Weekend Rewind, world-famous* vintage post linky.
So, time to produce another fabulous mixed tape of classic posts. All you have to do is become a Friend of Fibro (if you haven't already joined the gang), dust off one of your favourite old posts - you know, the ones that simply didn't get the love that they deserved - and join up. Oh, and don't forget to share the comment love with other linkyers.
That simple. Love your work!
Speaking of simple, don't you love those crafty types who make whipping up a cushion cover and knocking out a Christmas wreath look simple? I do. I love them. I'm very simply not one of them. This week's Fibro post is all about how the craft gene by-passed me all together.
That's it - have a great weekend and don't forget to visit Jen at The King and Eye for some cross-hemisphere linky love. Yes, another opportunity to air your archives. For which we should all be grateful - and go and share the feeling at MaxabellaLoves. So much linky love.
*in the sense that people in the world know about it
So, time to produce another fabulous mixed tape of classic posts. All you have to do is become a Friend of Fibro (if you haven't already joined the gang), dust off one of your favourite old posts - you know, the ones that simply didn't get the love that they deserved - and join up. Oh, and don't forget to share the comment love with other linkyers.
That simple. Love your work!
Speaking of simple, don't you love those crafty types who make whipping up a cushion cover and knocking out a Christmas wreath look simple? I do. I love them. I'm very simply not one of them. This week's Fibro post is all about how the craft gene by-passed me all together.
That's it - have a great weekend and don't forget to visit Jen at The King and Eye for some cross-hemisphere linky love. Yes, another opportunity to air your archives. For which we should all be grateful - and go and share the feeling at MaxabellaLoves. So much linky love.
*in the sense that people in the world know about it
Thursday, December 9, 2010
All about books: The Distant Hours
I finished reading Kate Morton's new book The Distant Hours today. I bought it a couple of months ago and then put off reading it, savouring its presence on the To Be Read pile. I am an unabashed fan of Ms Morton's writing, having devoured both The Shifting Fog and The Forgotten Garden. I find her particular combination of storytelling and beautiful prose, overlaid with a whiff of family saga, quite compelling.
The Distant Hours did not disappoint. But now it is over. As with the best stories, I never wanted to leave the world that had been created. This time, however, I'm taking a little something extra with me.
"She says there are stories everywhere and that people who wait for the right one to come along before setting pen to paper end up with very empty pages. That's all writing is, apparently, capturing sights and thoughts on paper."
That quote really resonated with me. It sums up much of what I've said before about 'waiting for the muse'. It reminded me that writing is about capturing what goes on around us. Bringing our own particular spin to the everyday.
It stayed with me as I watched Mr6's Christmas concert tonight. The pinched, anxious face of a child looking for Mum and Dad in the crowd. The wide smile that lights that face as he spots the hands waving wildly in support. The tall blonde sprite wearing the 'Elves Gone Wild' t-shirt, completely deadpan throughout the whole performance. The unabashed joy of the Kindy kids in their Santa hats and Angel halos, beaming as they work through their 'choralography', contrasted with the excruciating group self-consciousness of the sixth-grade class.
Small moments every one of them. Each a family saga in itself.
{image: katemorton.com/journal}
The Distant Hours did not disappoint. But now it is over. As with the best stories, I never wanted to leave the world that had been created. This time, however, I'm taking a little something extra with me.
"She says there are stories everywhere and that people who wait for the right one to come along before setting pen to paper end up with very empty pages. That's all writing is, apparently, capturing sights and thoughts on paper."
That quote really resonated with me. It sums up much of what I've said before about 'waiting for the muse'. It reminded me that writing is about capturing what goes on around us. Bringing our own particular spin to the everyday.
It stayed with me as I watched Mr6's Christmas concert tonight. The pinched, anxious face of a child looking for Mum and Dad in the crowd. The wide smile that lights that face as he spots the hands waving wildly in support. The tall blonde sprite wearing the 'Elves Gone Wild' t-shirt, completely deadpan throughout the whole performance. The unabashed joy of the Kindy kids in their Santa hats and Angel halos, beaming as they work through their 'choralography', contrasted with the excruciating group self-consciousness of the sixth-grade class.
Small moments every one of them. Each a family saga in itself.
{image: katemorton.com/journal}
Wednesday, December 8, 2010
'Twas the work before Christmas
The world is going to end on December 25. It must be. It's the only explanation for why every single thing on my To Do list has that particular deadline.
Everyone wants to 'catch up' before Christmas. Like we will not be here come Boxing Day. Multiple Mum has moved her entire Christmas 'catch up' list to January 2011 and reports great success in lowering stress levels in the Multiple household. We should all try it.
Everyone wants copy in before Christmas. Like we're not all going on holidays for at least a week or two, leaving said copy to languish unread and unloved.
December is always insanely busy. Every year I am surprised. Every year I complain about the work. Every year I forget. Temporary amnesia. The same reason women can cheerfully get pregnant with their second child, knowing what's ahead.
For now, though, I am slogging through it. One foot in front of the other. In time to Jingle Bells.
I can only imagine how Santa must feel. Now there's a man with a looming December 25 deadline.
{image: via squidoo}
Everyone wants to 'catch up' before Christmas. Like we will not be here come Boxing Day. Multiple Mum has moved her entire Christmas 'catch up' list to January 2011 and reports great success in lowering stress levels in the Multiple household. We should all try it.
Everyone wants copy in before Christmas. Like we're not all going on holidays for at least a week or two, leaving said copy to languish unread and unloved.
December is always insanely busy. Every year I am surprised. Every year I complain about the work. Every year I forget. Temporary amnesia. The same reason women can cheerfully get pregnant with their second child, knowing what's ahead.
For now, though, I am slogging through it. One foot in front of the other. In time to Jingle Bells.
I can only imagine how Santa must feel. Now there's a man with a looming December 25 deadline.
{image: via squidoo}
Tuesday, December 7, 2010
Preschool at the Disco
Scene 1. The car. Mr3, in full pirate regalia, is excitedly counting down the minutes until the preschool disco begins. Mr6, who could not get his pirate belt to sit right and ended up throwing it across the room before we left, is sulking in his booster seat. As we drive, a little voice pipes up from the back: "Mum, don't forget to paint your lips. You must be BEAUTIFUL."
I exchange amused glances with The Builder before reaching into my bag for my lip gloss and obediently 'painting my lips'.
Scene 2. The dance floor. Mr3 and I are dancing. He is a dervish. I am Gulliver on a dance floor full of Lilliputians. Suddenly, he stops. And stops. And stops. I bend down. "Are you tired? Do you want to have a break?" (Please, please, please.) Big blue eyes look up at me. "No Mum, this is still a dance move." He points to his knee, which is wiggling slightly while the rest of him remains immobile. Talk about hip minimalism. "Right," I say. "Carry on."
I foresee a great future for him at the dance parties/raves/whatever of the future.
Scene 3. Home. Little arms around my neck. "Thanks for dancing with me at my disco," says a sleepy Mr3. I tuck him in and kiss him goodnight, thinking back on our shared Nutbush/Macarena/Chicken Dance experience. As we'd left the room where the disco was held, we'd run into a boy of about 12 who shrieked because we'd surprised him sneaking out of a door down the hall. A refugee from a sixth grade formal. "Oh," he said, panicked. "I thought you were my teacher. I'm hiding. She's trying to dance with us!" Like it was the worst torture his mind could conjure up.
A reminder to savour every minute of every dance move. No matter how minimalist.
{image: via steventoussaint.blogspot.com}
I exchange amused glances with The Builder before reaching into my bag for my lip gloss and obediently 'painting my lips'.
Scene 2. The dance floor. Mr3 and I are dancing. He is a dervish. I am Gulliver on a dance floor full of Lilliputians. Suddenly, he stops. And stops. And stops. I bend down. "Are you tired? Do you want to have a break?" (Please, please, please.) Big blue eyes look up at me. "No Mum, this is still a dance move." He points to his knee, which is wiggling slightly while the rest of him remains immobile. Talk about hip minimalism. "Right," I say. "Carry on."
I foresee a great future for him at the dance parties/raves/whatever of the future.
Scene 3. Home. Little arms around my neck. "Thanks for dancing with me at my disco," says a sleepy Mr3. I tuck him in and kiss him goodnight, thinking back on our shared Nutbush/Macarena/Chicken Dance experience. As we'd left the room where the disco was held, we'd run into a boy of about 12 who shrieked because we'd surprised him sneaking out of a door down the hall. A refugee from a sixth grade formal. "Oh," he said, panicked. "I thought you were my teacher. I'm hiding. She's trying to dance with us!" Like it was the worst torture his mind could conjure up.
A reminder to savour every minute of every dance move. No matter how minimalist.
{image: via steventoussaint.blogspot.com}
Monday, December 6, 2010
Rockin' around the Christmas tree
I'm not sure if I have mentioned this before, but my mum has a wicked eye for the whimsical. She has a clock that plays show tunes. She has a tiny violin that fiddles Irish folk tunes. She has a stuffed hound dog that sings Elvis tunes. She has an Elmo dressed in a chicken suit, a plastic gnome that belts out rock tunes, a fat little chef who sings opera.
The kids love it. Mr3 loves it so much that he has begun siphoning off the collection, bringing it home to the Fibro for 'visits' (Mum, Chicken Dance Elmo is coming home real soon). Me, I always been fairly ambivalent about the whole scene.
This year, however, I am a convert. A couple of years ago, Mum bestowed upon Fam Fibro a small green Christmas tree that lights up like the proverbial Christmas tree and sings 'Rockin' around the Christmas tree' extremely loudly. When we got it, I think we smiled politely and put it on the shelf. Last year, it made it to the top of the sideboard and was brought down on request. This year...
This year, that Christmas tree owns Christmas. Mr3 is besotted. He sits it up next to him on the sofa when he watches tele, just in case he feels like pressing the button. He presses the button and all hell breaks loose, with Mr6 shrieking that he can't hear himself think and Mr3 dancing around the living room like nobody's watching. But we are. We're all watching.
Tonight, we decorated the Christmas tree. As we twined the tinsel, hung the tinkling, twinkling lights and debated the correct positioning of each gold bauble, our Rockin' Christmas tree serenaded us. As The Builder and I remembered each of the 'special decorations' we'd bought ("remember this one? Blue Mountains... the little blue angel, must be Holland...the silver heart that J gave us"), Mr3 pressed 'play' over and over again.
By the time we put up this year's new addition - a pure white ceramic dove wearing a silver crown - we were all belting out the chorus and Mr6 was playing along on his guitar.
Only 19 more days until Christmas. So I should only hear that song about 786 more times. Either that, or the batteries will magically run out in about 24 hours. I'll keep you posted.
Do you have a special family Christmas song? Do you collect 'special' decorations? Do you, perchance, have a novelty singing Christmas tree in your own life?
[image: shopgadgetsandgizmos.com]
I'm guest posting with Heath at ColesOnline today - come and share the story of your latest crush. Mine is small, green and crispy. Really.
The kids love it. Mr3 loves it so much that he has begun siphoning off the collection, bringing it home to the Fibro for 'visits' (Mum, Chicken Dance Elmo is coming home real soon). Me, I always been fairly ambivalent about the whole scene.
This year, however, I am a convert. A couple of years ago, Mum bestowed upon Fam Fibro a small green Christmas tree that lights up like the proverbial Christmas tree and sings 'Rockin' around the Christmas tree' extremely loudly. When we got it, I think we smiled politely and put it on the shelf. Last year, it made it to the top of the sideboard and was brought down on request. This year...
This year, that Christmas tree owns Christmas. Mr3 is besotted. He sits it up next to him on the sofa when he watches tele, just in case he feels like pressing the button. He presses the button and all hell breaks loose, with Mr6 shrieking that he can't hear himself think and Mr3 dancing around the living room like nobody's watching. But we are. We're all watching.
Tonight, we decorated the Christmas tree. As we twined the tinsel, hung the tinkling, twinkling lights and debated the correct positioning of each gold bauble, our Rockin' Christmas tree serenaded us. As The Builder and I remembered each of the 'special decorations' we'd bought ("remember this one? Blue Mountains... the little blue angel, must be Holland...the silver heart that J gave us"), Mr3 pressed 'play' over and over again.
By the time we put up this year's new addition - a pure white ceramic dove wearing a silver crown - we were all belting out the chorus and Mr6 was playing along on his guitar.
Only 19 more days until Christmas. So I should only hear that song about 786 more times. Either that, or the batteries will magically run out in about 24 hours. I'll keep you posted.
Do you have a special family Christmas song? Do you collect 'special' decorations? Do you, perchance, have a novelty singing Christmas tree in your own life?
[image: shopgadgetsandgizmos.com]
I'm guest posting with Heath at ColesOnline today - come and share the story of your latest crush. Mine is small, green and crispy. Really.
Sunday, December 5, 2010
Too many ideas can be dangerous
I left the muse on the train. A weekend away from the Fibro and my head is whirling with ideas, thoughts and impressions. Usually, this would be a good thing. But I'm struggling to distil it all into a single post. I've talked before about finding the armpits of a story. Today, I think I've turned left at the belly button and ended up somewhere under the right shoulder blade.
Too many ideas can be just as difficult for a writer as too few. When you've got nothing, you have to magic something out of thin air. When you've got a flood, you need to find a rowboat and decide a course of action. It's your voice that helps you swim through, technically popping you up into a life ring just when you need one.
Deciding what to leave out is as important as deciding what to put in. Give three writers the same set of information and chances are they will each come up with a different story. Or should.
At this point, I'm still swimming in fragments. Two 17-year-old boys discussing life, Slash and hair. Whether it's polite or not to insert yourself into another family's crossword-puzzle debate ("no, no, stationary with an 'a'"). The science of managing expectations. The sheer magnitude of realising that I'm okay with not being 25 any more.
Where am I going with this? Precisely my point.
I'm going to leave this post right here and head back to the station to await that muse. With any luck she'll arrive with a clear plan on the morning train. Either that, or a full day of the family-work routine will swiftly bring me back to earth as a one-idea-at-a-time kind of gal.
{image: galeriemontmarte}
Too many ideas can be just as difficult for a writer as too few. When you've got nothing, you have to magic something out of thin air. When you've got a flood, you need to find a rowboat and decide a course of action. It's your voice that helps you swim through, technically popping you up into a life ring just when you need one.
Deciding what to leave out is as important as deciding what to put in. Give three writers the same set of information and chances are they will each come up with a different story. Or should.
At this point, I'm still swimming in fragments. Two 17-year-old boys discussing life, Slash and hair. Whether it's polite or not to insert yourself into another family's crossword-puzzle debate ("no, no, stationary with an 'a'"). The science of managing expectations. The sheer magnitude of realising that I'm okay with not being 25 any more.
Where am I going with this? Precisely my point.
I'm going to leave this post right here and head back to the station to await that muse. With any luck she'll arrive with a clear plan on the morning train. Either that, or a full day of the family-work routine will swiftly bring me back to earth as a one-idea-at-a-time kind of gal.
{image: galeriemontmarte}
Friday, December 3, 2010
Weekend Rewind
It's that time of the week - time to dust off a favourite old post and give it a good airing at the Fibro. Weekend Rewind is all about giving your archives a second chance at comment love, and I'm loving the mixed tape of posts you guys come up with each week. Feel free to grab my button (see how casually I said that?) and share the linky love.
I confess that this week I will be unwinding in the Big Smoke and not back until Sunday, but rest assured I will visit all the linkys then - looking forward to it! In the meantime, get ready, get set, go. Let the world's easiest linky begin (and don't forget that Jen at The King and Eye has a fortnightly linky called Blog Gems that lets you share some cross-hemisphere linky love).
This week, as I'm out of the Fibro, I thought I'd share a little tale about the time I left the Fibro - and ended up examining love toys in a friend's living room. The linky is open all weekend - don't forget to visit a few links and give back a little lovin'!
I confess that this week I will be unwinding in the Big Smoke and not back until Sunday, but rest assured I will visit all the linkys then - looking forward to it! In the meantime, get ready, get set, go. Let the world's easiest linky begin (and don't forget that Jen at The King and Eye has a fortnightly linky called Blog Gems that lets you share some cross-hemisphere linky love).
This week, as I'm out of the Fibro, I thought I'd share a little tale about the time I left the Fibro - and ended up examining love toys in a friend's living room. The linky is open all weekend - don't forget to visit a few links and give back a little lovin'!
Thursday, December 2, 2010
Friday on my mind
Fridays used to mean a big night out. Drinks in the city. Catching up with friends. Dancing, laughing, flirting. The end of the week. Time to take a deep breath - and let it all hang out.
Then I had children, and Friday blended into Thursday blended into Monday. In fact, every day was a Tuesday, as The Builder is fond of saying. Particularly as I was working from home, wedging it into whatever hours it would fit, be it Friday, Sunday or sometime in the Never Never.
With Mr6 at school, however, Fridays have reassumed their mantel of importance. No after school activities on Friday. No reading. No guitar practice (actually, not a lot of that at any time, but I'm dealing with that). We walk to town, all of us, and have a milkshake. We come home. We eat leftovers or takeaway or, maybe, even, go out for Chinese. The Builder and I are on the sofa with a glass of wine by 8pm at the latest, in time for a raft of lifestyle programs with which to while away the evening. It's our one total veg night of the week. Veggier, even, than Saturday.
I love Friday nights. There are no interviews to organise, no stories to write. That all waits til Sunday night (I'm a last-minute kind of girl).
This Friday, I'll be reliving my (relative) youth, heading to the Big Smoke to catch up with friends. It will be great fun. But part of me will miss the sofa. The ritual of winding down.
How do you spend your Friday nights?
{image: musicline.de}
Don't forget Weekend Rewind, world's easiest linky, here at the Fibro on Saturday and Sunday. Dust off a favourite old post and link up!
Then I had children, and Friday blended into Thursday blended into Monday. In fact, every day was a Tuesday, as The Builder is fond of saying. Particularly as I was working from home, wedging it into whatever hours it would fit, be it Friday, Sunday or sometime in the Never Never.
With Mr6 at school, however, Fridays have reassumed their mantel of importance. No after school activities on Friday. No reading. No guitar practice (actually, not a lot of that at any time, but I'm dealing with that). We walk to town, all of us, and have a milkshake. We come home. We eat leftovers or takeaway or, maybe, even, go out for Chinese. The Builder and I are on the sofa with a glass of wine by 8pm at the latest, in time for a raft of lifestyle programs with which to while away the evening. It's our one total veg night of the week. Veggier, even, than Saturday.
I love Friday nights. There are no interviews to organise, no stories to write. That all waits til Sunday night (I'm a last-minute kind of girl).
This Friday, I'll be reliving my (relative) youth, heading to the Big Smoke to catch up with friends. It will be great fun. But part of me will miss the sofa. The ritual of winding down.
How do you spend your Friday nights?
{image: musicline.de}
Don't forget Weekend Rewind, world's easiest linky, here at the Fibro on Saturday and Sunday. Dust off a favourite old post and link up!
Wednesday, December 1, 2010
Where do you stand on Christmas cards?
Yesterday I bought two packets of Christmas cards. Lovely, they are. Sweet illustrations, all decked out in silver glitter. Still blank. But I've made the first step.
I'm going to put myself out there and say that I love Christmas cards. I love sending them. I love receiving them. Writing them, I'm not so fond of, but I make time for it every year because it's sometimes the only hand-written note I send all year*. Thank you notes are also hand-written, but not all my friends get one of those every year. All my friends get a Christmas card.
I have one friend who told me that I am never allowed to stop sending cards. Mine is the only proper, actual, hand-written card that she gets. If I stop, the only cards she'll receive are from real estate agents and her bank. One year I toyed with leaving her off the list just to play with her mind, but I resisted. It didn't seem to be in the right spirit, you know?
It's true that I don't always receive cards from people I've sent them to. In fact, many people don't write back. It's also true that I receive cards from people whom I suspect would never have sent me one had I not sent one to them first.
I don't care.
I will continue to write and send my Christmas cards, ignoring the insta-pleasure of the email card, for as long as Australia Post is still around to provide a snail mail service. It's a big part of Christmas for me.
But I will never send a family Christmas letter. Sorry. If you want to know what's going on, you have to actually speak to me. Or read my blog. Which, come to think of it, is one big family Christmas letter.
What about you? Do you send Christmas cards? Do you love them? Hate them? Light your Christmas candles with them? And what's your position on the family Christmas letter?
*It is worth noting that my handwriting is so appalling that it is probably a good thing I only drag it out once a year. There are people all over the country puzzling over my Christmas cards, wondering who the hell they're from.
{image: oldsweetsong.com}
I'm going to put myself out there and say that I love Christmas cards. I love sending them. I love receiving them. Writing them, I'm not so fond of, but I make time for it every year because it's sometimes the only hand-written note I send all year*. Thank you notes are also hand-written, but not all my friends get one of those every year. All my friends get a Christmas card.
I have one friend who told me that I am never allowed to stop sending cards. Mine is the only proper, actual, hand-written card that she gets. If I stop, the only cards she'll receive are from real estate agents and her bank. One year I toyed with leaving her off the list just to play with her mind, but I resisted. It didn't seem to be in the right spirit, you know?
It's true that I don't always receive cards from people I've sent them to. In fact, many people don't write back. It's also true that I receive cards from people whom I suspect would never have sent me one had I not sent one to them first.
I don't care.
I will continue to write and send my Christmas cards, ignoring the insta-pleasure of the email card, for as long as Australia Post is still around to provide a snail mail service. It's a big part of Christmas for me.
But I will never send a family Christmas letter. Sorry. If you want to know what's going on, you have to actually speak to me. Or read my blog. Which, come to think of it, is one big family Christmas letter.
What about you? Do you send Christmas cards? Do you love them? Hate them? Light your Christmas candles with them? And what's your position on the family Christmas letter?
*It is worth noting that my handwriting is so appalling that it is probably a good thing I only drag it out once a year. There are people all over the country puzzling over my Christmas cards, wondering who the hell they're from.
{image: oldsweetsong.com}